‘I definitely needed a lie-down after that!’ The most nerve-wracking TV episodes ever
The 2003 Spooks episode I Spy Apocalypse
The show kicks off with the Spooks team locked down while undergoing a drill concerning a fictional terrorist event, supervised by two Home Office agents. As events unfold, it becomes clear a real incident has taken place and a chemical agent deployed. The tension ratchets up as messages indicate a catastrophe taking place outside, and gets worse when the leader seems contaminated, and the two Home Office officials attempt to leave, compelling the character played by Matthew Macfadyen to choose between firing at them or allowing them to leave and risking contaminating the sealed MI5 offices. As this is Spooks, the outcome is expected.
Threads from 1984
Threads was low budget but arguably the most terrifying series I’ve ever seen owing to its grim authenticity and bleak government data. Viewed it recently having watched the original; I often attended the bar in Sheffield shown in the series that highlighted the truth and the glib matter-of-fact official information which was broadcast. Continuing to be utterly horrifying after three and a half decades.
The 2022 Severance episode The We We Are
The concluding episode of Severance’s debut season ranks highly among intense episodes. I was throughout the episode actually sitting tensely, straining every sinew with Dylan to hold the switches that kept the Innies on overtime, while shouting to the Innies to disclose their facts. The final climactic moment – “she’s alive!” – resembled a outburst.
Industry – White Mischief (2024)
The fifth episode of Industry’s third season had my heart racing. I was compelled to halt and rise and depart the area multiple times because of the sheer scale of the reckless self-harm I saw. Rishi Ramdani is in major difficulty at work and home – up to his eyeballs in debt to loan sharks because of his compulsive gambling, assuming hazardous chances with a gamble on the pound that might cost his firm millions. Naturally, he embarks on a betting frenzy, does tons of drugs and drink and wins, loses, wins, is severely assaulted. Each instance you believe things cannot decline more, it worsens. Redemption seems possible by the episode’s conclusion but he misses the opening, with horrifying consequences in the concluding part of the season. Definitely needed a lie-down after that!
Peep Show – Holiday (2007)
The series Peep Show isn’t typically anxiety-inducing. Yet the installment Holiday contains such levels of cringe that it can cause you to stand throughout the entire episode, filled with nervousness. The tension escalates as Jeremy and Mark discover being compelled to falsify about the canine they by chance collide with and subsequent attempts to dispose of it. You subsequently use the rest of the installment doubting if it can actually be more terrible than burning, and it can be!
The West Wing – The Two Cathedrals from 2001
No other viewing has been as gripping than the first time I watched the season two finale to The West Wing. The episode starts with the aftermath of the passing (in a road incident) of the president’s private assistant and builds to a peak involving a Haitian emergency, and the fallout from the non-disclosure regarding the president’s multiple sclerosis diagnosis, with confirmation of his intention to pursue re-election. Excellent TV. Never bettered.
Bodyguard – episode one from 2018
The beginning of the UK show Bodyguard, with the protagonist on a train accompanied by his small son, is for me one of the most intense episodes ever. He notices a Muslim female going into the loo and senses something is wrong. The bomb diffuser experts are called, enter the train, and try to persuade the woman to remove her explosive vest. Suspense rises to a nearly intolerable level, until yes, the vest is diffused.
Buffy the Vampire Slayer – The Body from 2001
Buffy comes into her home to discover her mother has died of natural causes, which is the least common kind of passing in this mystical program. The episode has no background music, a somber mood, and we see the episode through the experience of Buffy’s dismay upon uncovering her mother.
The 2007 The Sopranos finale Made in America
The ultimate sequence of the series finale of the show was pants-wettingly tense. And if you viewed it when it first premiered, you – initially – were uncertain of the reason. Tony’s adversaries, actual and perceived, were all vanquished. This seems similar to the first season’s finale, right? “Remember the little things.” However, the vibe is oddly threatening. Nearly Twin Peaks-like fear. The family sit in a restaurant. Meadow finds a parking spot. Tony gloomily informs Carmela there’s trouble afoot with yet another of his crew collaborating with the authorities. Meadow parks the vehicle. Strange people enter the restaurant. Stare at Tony(?) Meadow continues to park. Tony selects a song on the jukebox. Meadow finds a spot. The bell rings, someone enters the restaurant. It isn’t Meadow, she remains parking. Tony raises his gaze. Continue. It stops. My spirit fell around 20 minutes subsequently.
The Walking Dead – The Last Day on Earth (2016)
I remained awake to view this installment in the early morning. It was incredibly tense after the buildup of bad guy Negan discovering the characters, mercilessly mocking his targets and then leaving the victim unknown (ended on a cliffhanger). The victim’s POV shot and the muffled sounds – argh! {We then had to wait for season seven|We then needed to await season